“A Need to Make Something”: Opening Up a Year-long Exploration of Aesthetics

Article by Nicole Gurgel 2014 marks the beginning of Alternate ROOTS’ three-year initiative, A Call to Action, in which we will be deeply reflecting on our work as artists and cultural organizers. Each year of this initiative is focused on a

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Talkin’ Revolution with Dr. Doris Derby

Article by Michael “Quess?” Moore Dr. Doris Derby is a small woman, a small woman who left a big imprint. Standing barely over 5 feet tall, the first thing that jumped out at me were her enthusiastic eyes. She’s got

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Moral Injury Killed My Cousin

By Lynne Santiago A few weeks back, I had the privilege of being invited to view a live performance of Speed Killed My Cousin, a new play by Linda Parris-Bailey and The Carpetbag Theatre, during a rehearsal showing at University of

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Whisper, Howl, Sing: C/APP Projects Listen, Then Tell

This year’s Community/Artist Partnership Program (C/APP) projects share many connections. Each of the four projects merge art and activism, spring up out of local communities, and address the need for healing in the face of trauma and oppression. Last month we heard

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Project South

Project South, Atlanta, GA The University Sin Fronteras recognizes that successful popular movements in the U.S. have always endeavored to deploy art and culture as a substantial, capable, and strategic conveyer of the espoused goals of their efforts. Through research,

Clear Creek Festival

“Bobby B” Martin, Clear Creek Festival, Clear Creek, KY Clear Creek is proposing a Land, Water, Food, Stories project in Bob and Carrie’s local community Big Hill/ Disputanta Kentucky. This work will be centered on the themes of loss and

ALIENS Taco Truck Theater Project

ALIENS Taco Truck Theater Project / Teatro Sin Fronteras. Conceived by José Torres-Tama & ArteFuturo Productions in Partnership with Puentes New Orleans The ALIENS Taco Truck Theater Project / Teatro Sin Fronteras aims to transform a food vehicle into a theater

Magical Moments, Critical Connections and Cry You One

Article and Photo by Monique Verdin People keep asking me how I got involved with Cry You One. The journey deserves its own chapter really as it has been an unimaginable story involving a magical series of critical connections and unexpected

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Andrea Assaf

Supporting participation in the 2014 TCG conference in San Diego, CA, and the pre-conference that will be held in Tijuana, Mexico, June 18-21, 2014

Dora Arreola

Travel to Italy for an invited residency at La MaMa Umbria, and mentorship by legendary actress and master teacher, Rena Mirecka

Cristal Chanelle Truscott

The Burnin’ is an a cappella musical inspired by two nightclub tragedies; one in 1940 in Natchez, Mississippi (the Rhythm Night Club fire) and one in Chicago, Illinois in 2003 (a stampede at the city’s popular E3 nightclub). Occurring decades

Trina Fischer

Support the research stage of development of Looking for Lilith’s Environment Play (title TBD). Most of the events will be within the company as we dig into the research to continue to hone in on the issues and themes to

The River Runs Deep: Activism and the Art of Listening

Article by Rebecca Mwase & Hannah Pepper-Cunningham An outdoor performance set at the edge of our disappearing wetlands, C/APP partner project Cry You One is part song, part story, and part procession that celebrates the people and cultures of South Louisiana while turning clear

Speed the CAR: Creative Arts Reintegration

Speed Killed My Cousin, The Carpetbag Theatre’s newest play, is a multimedia performance rooted in the story of an African American female soldier and her struggle with post-traumatic stress disorder upon her return home from Iraq. While driving down the

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Alternate ROOTS supports the creation and presentation of original art that is rooted in communities of place, tradition or spirit. We are a group of artists and cultural organizers based in the South creating a better world together. As Alternate ROOTS, we call for social and economic justice and are working to dismantle all forms of oppression—everywhere.