Kimi Maeda performs Bend – the true story of two men interned in a Japanese American internment camp – at ROOTS Week 2015. Photo: Melisa Cardona. This podcast is part of the Creating Place project. View the full multimedia collection here.
“I feel like it’s wise for us to think not only about what our stories mean to ourselves, but also what our stories mean to other people. And, unfortunately, some of the same – for lack of a better word – technologies of racism are being recycled…and re-used to marginalize and hurt other communities.”
– Nikiko Masumoto
“In my mind it’s [the performance piece Bend] about places that are lost – which in some ways seems like the opposite of creative placemaking, but maybe not. … It’s about questioning what is home … understanding how complicated that is especially when the place you called home doesn’t want you any more or doesn’t exist anymore…”
– Kimi Maeda
Kimi Maeda and Nikiko Masumoto, two multidisciplinary Japanese-American artists, discuss home, memory, and creating place in the context of erasure. Their work commemorates the imprisonment of Japanese-Americans by the US government during World War II, and intervenes – in intimate, personal, and collective ways – in the forgetting of this chapter of US history.
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Born in the Central Valley of California on the Masumoto Family Farm, Nikiko Masumoto spends daylight hours in the fields, working the land. She also continues to develop arts and community work, most recently as the co-founded of the Yonsei Memory Project, which uses arts-based inquiry to facilitate inter-generational memory building and healing.
Kimi Maeda is a theatre artist based in South Carolina. Her ephemera trilogy, a collection of sand drawing and shadow performances that deal with memory, home, and trans-cultural identity, was nominated for a Drama Desk Award in 2017. Maeda received a Creative Artists Exchange Fellowship from the Japan-US Friendship Commission in 2017.
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This episode of Creating place features interviews with Nikiko Masumoto and Kimi Maeda, conducted, recorded, and edited by Bonnie Gabel with additional support from Hannah Pepper-Cunningham. Music and Soundscaping by free feral. The project is supervised by Nicole Gurgel-Seefeldt. Funding for Creating Place: The Art of Equitable Community Building comes from the National Endowment for the Arts’ Our Town program.
- “Art History” and “Renée Guitars No. 8” by Bill Carson https://billcarsonmusic.bandcamp.com
- “Ship Artillery Blast classic.wav” by CGEffex (freesound.org/people/CGEffex/) [CC BY 3.0]
- “TrainWhistle.flac” by Alukahn (freesound.org/people/alukahn/) [CC BY 3.0]
- “august 4th 2011, 18.10, steam locomotive arrives at Tan-Y-Bwlch station.wav” by crosbychris (freesound.org/people/crosbychris/) [CC BY-NC 3.0]
- “Passing Traffic on country road.wav” by mike_stranks (https://freesound.org/people/mike_stranks/) [CC BY-NC 3.0]
- Clips from the 1944 documentary “Challenge to Democracy” produced by the US war relocation authority. [Public domain.]
- All other Sound FX from freesound.org and are of the public domain.