Equity, Diversity, and Inclusion in the Arts: It Is Possible

By Keryl McCord, Operations Director, Alternate ROOTS | June 17, 2016 A few weeks ago Alternate ROOTS published my article, and its follow-up piece, Why We Must Have Diversity, Equity, and Inclusion in the Arts: A Response to the National

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Who Counts?

Audience attending Roadside’s Appalachian Tent Tour By Dudley Cocke This article was originally on Roadside Theater’s blog and is used here with permission. Andy Horwitz’s Jan. 31, 2016 Atlantic article about the National Endowment for the Arts is telling: “The current state of

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From Script to Screen: Documenting the Free Southern Theater

Early Free Southern Theater promotional image, circa 1970.  Jason Foster & Kiyoko McCrae (New Orleans, LA) | February 2, 2016 “Through theater, we think to open a new area of protest. One that permits the development of playwrights and actors,

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Resistance as Legacy

David Montana, Big Chief of the Ouachita Nation Mardi Gras Indians. Photo: Rebecca Mwase, 2015. Article by Rebecca Mwase (New Orleans, LA) | October 2, 2015 New Orleans is ten years post-Katrina. The landscape of the city has been ravaged

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“Lord knows we’ll never be the same again, but at least we started telling the truth.”* A Report Back from Environment & Economy Day at ROOTS Week 2015

Land, Water, Food, Story altar installed by Clear Creek folks, created from copies of deeds to the land and rusty farm implements found on the land over the years. Photo: Nicole Garneau, 2015. Article by Nicole Garneau (Chicago, IL) Editor’s Note: This

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Using Art to Undo Imperialism

Dora Arreola in “Telares (o el Olvido),” with Mujeres en Ritual Danza-Teatro at ROOTS Week. Photo: Melisa Cardona, 2015.   Article by Anu Yadav (Washington D.C.) A woman silently gestures to me in the cafeteria, her face partially obscured by

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ROOTS Week 2015: A Preview

We are pleased, proud, and excited to announce the incredible artists, culture-bearers, organizers, activists, and scholars who will share their work with us at ROOTS Week under the banner, A Call to Action: Transformation. Within this theme, we’ll be focusing

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Symbols of Struggle: Black Lives Matter

Chen Lo in Soundtrack ’63 by Soul Science Lab. Originally commissioned and produced by 651 ARTS, Soundtrack ’63 will be presented by Junebug Productions and Contemporary Arts Center New Orleans in January 2016. Photo: Xy-Fy Fotography.   Article by Kiyoko

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A Terrifying Liberation: The Opportunity in Appalachia’s Uncertain Future

Article by Ben Spangler, Appalshop (Whitesburg, KY) Appalshop is a member of Alternate ROOTS’ 2014-15 Partners in Action cohort. Central Appalachia is presently in a strange place as the collapse of the coal industry leaves the region in an historical moment

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Shifting Narratives through Art and Culture

Article by Kiyoko McCrae (New Orleans, LA) On January 20th and 21st, Alternate ROOTS held a meeting for the 2014 Partners in Action cohort. During the two-day meeting, a theme emerged: How can art help to shift narratives? Robert Martin

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The Sweetness and the Spoil: Durham Stories of Resistance

Article by Nia Wilson (Durham, NC) and Rodrigo Dorfman (Durham, NC); Photographs by Rodrigo Dorfman Reflections: Building towards “Mother to Mother” Nia: August 10th 2014: I heard about the premature deaths of two young Black men — John Crawford in Ohio

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Spotlight on Ferguson (Part 1): An Activist Framework

Article & Video by Katina Parker (Durham, NC) Don’t miss Part 2 of this series: Spotlight on Ferguson: A First-hand Account. To donate to support continued documentation by #SpotlightOnFerguson, please visit: igg.me/at/dontshoot.  Mike Brown’s Memorial – Canfield from Katina Parker on Vimeo.

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Spotlight on Ferguson (Part 2): A First-hand Account

Article and Photos by Katina Parker Don’t miss Part 1 of this series: Spotlight on Ferguson: An Activist Framework. To donate to support continued documentation by #SpotlightOnFerguson, please visit: igg.me/at/dontshoot.  August 30, 2014 Ferguson Today, I stood where 17-year old Mike Brown

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Cucalorus Film Festival: A Work That’s Constantly in Progress

by Shannon M. Turner Alternate ROOTS Manager of Programs & Services For the past seven years, Alternate ROOTS has been sending artists to the Cucalorus Film Festival as facilitators for their Works in Progress program and emcees for other films

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Whisper, Howl, Sing: C/APP Projects Listen, Then Tell

This year’s Community/Artist Partnership Program (C/APP) projects share many connections. Each of the four projects merge art and activism, spring up out of local communities, and address the need for healing in the face of trauma and oppression. Last month we heard

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Project South

Project South, Atlanta, GA The University Sin Fronteras recognizes that successful popular movements in the U.S. have always endeavored to deploy art and culture as a substantial, capable, and strategic conveyer of the espoused goals of their efforts. Through research,

Baily Barash

The project is a documentary with the working title, “What I Know Now.” It will be between 10 and 60 minutes in length. It will a compilation of the remarks of several hospice patients, most in the last six months

Cucalorus Film Festival: A Traveling Circus, A Social Change Agent, An Artists Retreat

Cucalorus Film Festival:  A Traveling Circus, A Social Change Agent, An Artists Retreat by Shannon M. Turner [reposted from Arts in a Changing America, January 2013] I recently had the great pleasure to travel to Wilmington, NC to experience the Cucalorus Film

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Alternate ROOTS supports the creation and presentation of original art that is rooted in communities of place, tradition or spirit. We are a group of artists and cultural organizers based in the South creating a better world together. As Alternate ROOTS, we call for social and economic justice and are working to dismantle all forms of oppression—everywhere.